Saturday, April 22, 2023 - 8:00 pm
Tom Rush is a gifted musician and performer, whose shows offer a musical celebration...a journey into the tradition and spectrum of what music has been, can be, and will become. His distinctive guitar style, wry humor and warm, expressive voice have made him both a legend and a lure to audiences around the world. His shows are filled with the rib-aching laughter of terrific story-telling, the sweet melancholy of ballads and the passion of gritty blues Rush's impact on the American music scene has been profound. He helped shape the folk revival in the '60s and the renaissance of the '80s and '90s, his music having left its stamp on generations of artists. James Taylor told Rolling Stone, "Tom was not only one of my early heroes, but also one of my main influences." Country music star Garth Brooks has credited Rush with being one of his top five musical influences. Rush has long championed emerging artists. His early recordings introduced the world to the work of Joni Mitchell, Jackson Browne and James Taylor, and in more recent years his Club 47 concerts have brought artists such as Nanci Griffith and Shawn Colvin to wider audiences when they were just beginning to build their own reputations. Tom Rush began his musical career in the early '60s playing the Boston-area clubs while a Harvard student. The Club 47 was the flagship of the coffee house fleet, and he was soon holding down a weekly spot there, learning from the legendary artists who came to play, honing his skills and growing into his talent. He had released two albums by the time he graduated. Rush displayed then, as he does today, an uncanny knack for finding wonderful songs, and writing his own - many of which have become classics re-interpreted by new generations. (It is testimony to the universality of his appeal that his songs have been folk hits, country hits, heavy metal and rap hits.) Signed by Elektra in 1965, Rush made three albums for them, culminating in The Circle Game, which, according to Rolling Stone, ushered in the singer/songwriter era. In the early '70s, folk turned to folk-rock, and Rush, ever adaptable, saw more room to stretch out. Recording now for Columbia, he toured tirelessly with a five man band, playing concerts across the country. Endless promotional tours, interviews, television appearances, and recording sessions added up to five very successful but exhausting years, after which Tom decided to take a break and "recharge" his creative side at his New Hampshire farm. Rush returned with a splash in 1981, selling out Boston's prestigious Symphony Hall in advance. Time off had not only rekindled Rush's love of music, it had re-ignited music audiences' love of Rush. He instinctively knew that his listeners were interested in both the old and the new, and set out to create a musical forum like the Club 47 of the early sixties to allow artists and newcomers to share the same stage. In 1982, he tried it out at Symphony Hall. The show was such a hit it became an annual event, growing to fill two, then three nights, and the Club 47 series was born. Crafting concerts that combined well known artists such as Bonnie Raitt or Emmylou Harris with (then) unknowns like Alison Krauss or Mark O' Connor, Rush took the show on the road. From the '80s to the present day, Club 47 events have filled the nation's finest halls to rave reviews, and have been broadcast as national specials on PBS and NPR. In 1999, Columbia/Legacy released a Tom Rush retrospective album that covers his recorded musical history from 1962 to the present, including tracks recorded for Columbia, Elektra, Prestige and his independent years. Entitled "The Very Best of Tom Rush: No Regrets", the 17-track compilation includes as a bonus a brand new Tom Rush composition, "River Song," which features vocal contributions from Grammy winners Shawn Colvin and Marc Cohn. A live CD, "Trolling for Owls" released in 2003 and published by Tom's NIGHTLIGHT RECORDINGS, captures Tom's complete performance and includes, for the first time, some of the spoken stories that have endeared him to audiences. "How I Play (some of) My Favorite Songs", a DVD released in 2005 by Homespun Tapes. It shows how he plays ten of the memorable songs and guitar arrangements that have long made him one of America’s most beloved performers. In 2009, Tom recorded his first studio CD in 35 years. Recorded in Nashville, "What I Know" was produced by Tom's long-time friend Jim Rooney and includes original Tom Rush material, as well as harmonies by Emmylou Harris, Bonnie Bramlett and Nanci Griffith. Today, Tom Rush lives in New Hampshire when he's not touring. His voice has grown even richer and more melodic with training, and his music, like a fine wine, has matured and ripened in the blending of traditional and modern influences. He's doing what he loves, and what audiences love him for: writing and playing ...passionately, tenderly...knitting together the musical traditions and talents of our times.
Matt Nakoa is an award-winning songwriter, singer, and multi-instrumentalist. A modern troubadour, he makes his home on the highways and concert stages of America, and appears regularly with folk music icon Tom Rush. The Boston Globe says of Nakoa, “Between his piano chops and heartfelt originals on guitar, he drops jaws.”
Born on a small goat farm in New York State, Nakoa trained to be a concert pianist before accepting a scholarship to attend Berklee College of Music as a vocalist. He developed his dramatic songwriting style with his college alt-rock band, The Fens, and after the band dissolved, he landed in NYC. It was in Manhattanʼs all-night piano bars that Nakoa developed an uncanny ability to command the attention of any audience. His first solo albums, released in 2012 and 2014, garnered multiple songwriting awards, including a win at Kerrville Folk Festivalʼs New Folk Competition.
Nakoaʼs newest album, Casting Shadows, is a spellbinding blend of pop, soul, and classical influences that tells a story of childhood dreams crashing headlong into grownup reality. The Ark of Music magazine proclaims, “What we have here is a truly encouraging sign of what pop could once again become …”